Home Awards & Top Ten Lists Top 1,000 Films (1915-Present): #501 – 1,000

Top 1,000 Films (1915-Present): #501 – 1,000

#1-500 | #501-1,000

#501. Miller’s Crossing (Joel Coen, 1990)
#502. L’ Argent (Robert Bresson, 1983)
#503. Exotica (Atom Egoyan, 1994)
#504. Je, Tu, Il, Elle (Chantal Akerman, 1974)
#505. The Swimmer (Frank Perry, 1968)
#506. Cool Hand Luke (Stuart Rosenberg, 1967)
#507. A Woman Is a Woman (Jean-Luc Godard, 1961)
#508. Maitresse (Barbet Schroeder, 1976)
#509. 49th Parallel (Michael Powell and Emeric Pressburger, 1941)
#510. Mona Lisa (Neil Jordan, 1986)
#511. Hoop Dreams (Steve James, 1994)
#512. Kagemusha (Akira Kurosawa, 1980)
#513. Badlands (Terrence Malick, 1973)
#514. Gerry (Gus Van Sant, 2002)
#515. A.I.: Artificial Intelligence (Steven Spielberg, 2001)
#516. Death in Venice (Luchino Visconti, 1971)
#517. Damage (Louis Malle, 1992)
#518. The Night of the Hunter (Charles Laughton, 1955)
#519. Shadows (John Cassavetes, 1959)
#520. Men with Guns (John Sayles, 1997)
#521. Hannah and Her Sisters (Woody Allen, 1986)
#522. Ballad of a Soldier (Grigori Chukhrai, 1960)
#523. Mildred Pierce (Michael Curtiz, 1945)
#524. Fitzcarraldo (Werner Herzog, 1982)
#525. Straw Dogs (Sam Peckinpah, 1971)
#526. 4 Months, 3 Weeks, and 2 Days (Cristian Mungiu, 2007)
#527. The Palm Beach Story (Preston Sturges, 1942)
#528. The World of Apu (Satyajit Ray, 1959)
#529. Los Angeles Plays Itself (Thom Andersen, 2003)
#530. Rocky (John G. Avildsen, 1976)
#531. Tokyo Olympiad (Kon Ichikawa, 1965)
#532. Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)
#533. Ed Wood (Tim Burton, 1994)
#534. Grey Gardens (David and Albert Maysles, 1975)
#535. Mauvais Sang (Léos Carax, 1986)
#536. Police, Adjective (Corneliu Porumboiu, 2009)
#537. White Dog (Samuel Fuller, 1982)
#538. After Life (Hirokazu Kore-eda, 1999)
#539. Germany Year Zero (Roberto Rossellini, 1947)
#540. Flowing (Mikio Naruse, 1956)
#541. Fantastic Mr. Fox (Wes Anderson, 2009)
#542. Suspiria (Dario Argento, 1977)
#543. Raising Arizona (Joel Coen, 1987)
#544. Wuthering Heights (William Wyler, 1939)
#545. Melancholia (Lars von Trier, 2011)
#546. La Strada (Federico Fellini, 1954)
#547. The 47 Ronin, Part I (Kenji Mizoguchi, 1941)
#548. Fahrenheit 451 (François Truffaut, 1966)
#549. Stagecoach (John Ford, 1939)
#550. Holy Motors (Léos Carax, 2012)
#551. Six Degrees of Separation (Fred Schepisi, 1993)
#552. Short Cuts (Robert Altman, 1993)
#553. Gate of Hell (Teinosuke Kinugasa, 1953)
#554. Fight Club (David Fincher, 1999)
#555. A Place in the Sun (George Stevens, 1951)
#556. Boudu Saved from Drowning (Jean Renoir, 1932)
#557. Eros Plus Massacre (Yoshishige Yoshida, 1969)
#558. The Verdict (Sidney Lumet, 1982)
#559. Port of Shadows (Marcel Carné, 1938)
#560. Beyond the Hills (Cristian Mungiu, 2012)
#561. The Act of Killing (Joshua Oppenheimer, 2013)
#562. This Sporting Life (Lindsay Anderson, 1963)
#563. The Straight Story (David Lynch, 1999)
#564. L’ Atalante (Jean Vigo, 1934)
#565. Diva (Jean-Jacques Beineix, 1981)
#566. The Quiet Man (John Ford, 1952)
#567. Underground (Emir Kusturica, 1995)
#568. The Loves of a Blonde (Milos Forman, 1965)
#569. Wendy and Lucy (Kelly Reichardt, 2008)
#570. Stop Making Sense (Jonathan Demme, 1984)
#571. Samurai III: Duel at Ganryu Island (Hiroshi Inagaki, 1956)
#572. The Sword of Doom (Kihachi Okamoto, 1966)
#573. Once Upon a Time in America (Sergio Leone, 1984)
#574. My Darling Clementine (John Ford, 1946)
#575. A Poem Is a Naked Person (Les Blank, 1974)
#576. Diary of a Chambermaid (Luis Buñuel, 1964)
#577. Love on the Run (François Truffaut, 1979)
#578. Chronicle History of King Henry the Fifth with His Battle Fought at Agincourt in France (Laurence Olivier, 1944)
#579. Out of the Past (Jacques Tourneur, 1947)
#580. The Tragedy of Othello: The Moor of Venice (Orson Welles, 1952)
#581. Le Petit Soldat (Jean-Luc Godard, 1963)
#582. This Is Not a Film (Jafar Panahi and Mojtaba Mirtahmasb, 2012)
#583. Cast Away (Robert Zemeckis, 2000)
#584. Happiness (Todd Solondz, 1998)
#585. The Ruling Class (Peter Medak, 1972)
#586. Under the Skin (Jonathan Glazer, 2014)
#587. Topsy-Turvy (Mike Leigh, 1999)
#588. Domestic Violence (Frederick Wiseman, 2001)
#589. Grindhouse (Robert Rodriguez and Quentin Tarantino, 2007)
#590. In the Mood for Love (Wong Kar-wai, 2000)
#591. Diary of a Country Priest (Robert Bresson, 1951)
#592. The Piano Teacher (Michael Haneke, 2001)
#593. Summer with Monika (Ingmar Bergman, 1953)
#594. Walkabout (Nicolas Roeg, 1971)
#595. High and Low (Akira Kurosawa, 1963)
#596. Saturday Night and Sunday Morning (Karel Reisz, 1960)
#597. Buffalo ’66 (Vincent Gallo, 1998)
#598. Lone Star (John Sayles, 1996)
#599. Cat on a Hot Tin Roof (Richard Brooks, 1958)
#600. The Passion of Anna (Ingmar Bergman, 1969)
#601. Bad Day at Black Rock (John Sturges, 1955)
#602. Paradise Lost: The Child Murders at Robin Hood Hills (Joe Berlinger and Bruce Sinofsky, 1996)
#603. Memories of Murder (Bong Joon-ho, 2005)
#604. The Gospel According to St. Matthew (Pier Paolo Pasolini, 1964)
#605. Miami Vice (Michael Mann, 2006)
#606. Time Out (Laurent Cantet, 2001)
#607. Inglourious Basterds (Quentin Tarantino, 2009)
#608. Code Unknown: Incomplete Tales of Several Journeys (Michael Haneke, 2000)
#609. Stories We Tell (Sarah Polley, 2013)
#610. Out of Sight (Steven Soderbergh, 1998)
#611. Ugetsu (Kenji Mizoguchi, 1953)
#612. The Testament of Orpheus (Jean Cocteau, 1960)
#613. The Virgin Spring (Ingmar Bergman, 1960)
#614. 42 Up (Michael Apted, 1999)
#615. Effi Briest (Rainer Werner Fassbinder, 1974)
#616. Once (John Carney, 2006)
#617. Cowards Bend the Knee (Guy Maddin, 2003)
#618. Inside Llewyn Davis (Joel and Ethan Coen, 2013)
#619. Meek’s Cutoff (Kelly Reichardt, 2011)
#620. In the Name of the Father (Jim Sheridan, 1993)
#621. Remains of the Day (James Ivory, 1993)
#622. The Player (Robert Altman, 1992)
#623. The Girl on the Bridge (Patrice Leconte, 1999)
#624. The Hidden Fortress (Akira Kurosawa, 1958)
#625. One, Two, Three (Billy Wilder, 1961)
#626. The Limey (Steven Soderbergh, 1999)
#627. Viridiana (Luis Buñuel, 1961)
#628. Sonatine (Takeshi Kitano, 1993)
#629. The Search (Fred Zinnemann, 1948)
#630. Winter Sleep (Nuri Bilge Ceylan, 2014)
#631. Force Majeure (Ruben Östlund, 2014)
#632. Five Easy Pieces (Bob Rafelson, 1970)
#633. Every Man for Himself and God Against All (Werner Herzog, 1974)
#634. The Clouds of Sils Maria (Olivier Assayas, 2014)
#635. Le Corbeau (Henri-Georges Clouzot, 1943)
#636. Timbuktu (Abderrahmane Sissako, 2014)
#637. Spartacus (Stanley Kubrick, 1960)
#638. The Parallax View (Alan J. Pakula, 1974)
#639. Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, 1988)
#640. Macbeth (Orson Welles, 1948)
#641. The Children Are Watching Us (Vittorio De Sica, 1944)
#642. Husbands and Wives (Woody Allen, 1992)
#643. The Matrix (Larry and Andy Wachowski, 1999)
#644. Closer (Mike Nichols, 2004)
#645. Happy Together (Wong Kar-wai, 1997)
#646. Le Million (René Clair, 1931)
#647. Menace II Society (Allen and Albert Hughes, 1993)
#648. Son of Saul (László Nemes, 2015)
#649. Touching the Void (Kevin Macdonald, 2003)
#650. The Umbrellas of Cherbourg (Jacques Demy, 1964)
#651. Hail the Conquering Hero (Preston Sturges, 1944)
#652. The Stranger (Orson Welles, 1946)
#653. The Best Intentions (Bille August, 1992)
#654. The Testament of Dr. Mabuse (Fritz Lang, 1933)
#655. Grizzly Man (Werner Herzog, 2005)
#656. Looking for Richard (Al Pacino, 1996)
#657. Private Confessions (Liv Ullmann, 1996)
#658. Night Must Fall (Richard Thorpe, 1937)
#659. Faust (F.W. Murnau, 1926)
#660. Groundhog Day (Harold Ramis, 1993)
#661. The Letter (William Wyler, 1940)
#662. The Cameraman (Edward Sedgwick, 1928)
#663. Pygmalion (Anthony Asquith and Leslie Howard, 1938)
#664. Tootsie (Sydney Pollack, 1982)
#665. Live Flesh (Pedro Almodóvar, 1997)
#666. Gattaca (Andrew Niccol, 1997)
#667. A Double Life (George Cukor, 1947)
#668. Mrs. Miniver (William Wyler, 1942)
#669. House of Games (David Mamet, 1987)
#670. The Man Who Wasn’t There (Joel Coen, 2001)
#671. Mysteries of Lisbon (Raoul Ruiz, 2010)
#672. Flesh (Paul Morrissey, 1968)
#673. The Old Man and the Sea (John Sturges, 1958)
#674. Daybreak (Marcel Carné, 1939)
#675. For Whom the Bell Tolls (Sam Wood, 1943)
#676. The Bad Sleep Well (Akira Kurosawa, 1960)
#677. Black Swan (Darren Aronofsky, 2010)
#678. Prisoner of the Mountains (Sergei Bodrov, 1996)
#679. Suspicion (Alfred Hitchcock, 1941)
#680. The 47 Ronin, Part II (Kenji Mizoguchi, 1942)
#681. White Mane (Albert Lamorisse, 1953)
#682. Damnation (Béla Tarr, 1988)
#683. The Departed (Martin Scorsese, 2006)
#684. Superstar: The Karen Carpenter Story (Todd Haynes, 1987)
#685. All the King’s Men (Robert Rossen, 1949)
#686. Jour de Fête (Jacques Tati, 1949)
#687. Germany in Autumn (Alf Brustellin, Hans Peter Cloos, Rainer Werner Fassbinder, Alexander Kluge, Maximiliane Mainka, Beate Mainka-Jellinghaus, Edgar Reitz, Katja Rupé, Volker Schlöndorff, Peter Schubert, and Bernhard Sinkel, 1978)
#688. Broadcast News (James L. Brooks, 1987)
#689. A Letter to Three Wives (Joseph L. Mankiewicz, 1949)
#690. The Spirit of the Beehive (Víctor Erice, 1973)
#691. Heidi Fleiss: Hollywood Madam (Nick Broomfield, 1995)
#692. Swoon (Tom Kalin, 1992)
#693. Testament (Lynne Littman, 1983)
#694. Almost Famous (Cameron Crowe, 2000)
#695. An Angel at My Table (Jane Campion, 1991)
#696. Ghost World (Terry Zwigoff, 2001)
#697. The Thin Blue Line (Errol Morris, 1988)
#698. Zorns Lemma (Hollis Frampton, 1970)
#699. Stardust Memories (Woody Allen, 1980)
#700. The Hospital (Arthur Hiller, 1971)
#701. Hobson’s Choice (David Lean, 1954)
#702. The Lady Vanishes (Alfred Hitchcock, 1938)
#703. Obsession (Brian De Palma, 1976)
#704. Carnal Knowledge (Mike Nichols, 1971)
#705. Hope and Glory (John Boorman, 1987)
#706. Flags of Our Fathers (Clint Eastwood, 2006)
#707. The Emigrants (Jan Troell, 1971)
#708. Far from the Madding Crowd (John Schlesinger, 1967)
#709. Samurai I: Musashi Miyamoto (Hiroshi Inagaki, 1954)
#710. The Headless Woman (Lucrecia Martel, 2008)
#711. Sweet Bird of Youth (Richard Brooks, 1962)
#712. The Lion in Winter (Anthony Harvey, 1968)
#713. La Chinoise (Jean-Luc Godard, 1967)
#714. The Wrong Man (Alfred Hitchcock, 1956)
#715. La Commare Secca (Bernardo Bertolucci, 1962)
#716. The Yakuza Papers: Battles Without Honor or Humanity (Kinji Fukasaku, 1973)
#717. The Holy Girl (Lucrecia Martel, 2005)
#718. Of Time and the City (Terence Davies, 2008)
#719. The Shop Around the Corner (Ernst Lubitsch, 1940)
#720. Butley (Harold Pinter, 1974)
#721. A Night at the Opera (Sam Wood, 1935)
#722. Reversal of Fortune (Barbet Schroeder, 1990)
#723. U.S. Go Home (Claire Denis, 1994)
#724. The White Sheik (Federico Fellini, 1952)
#725. Samurai Rebellion (Masaki Kobayashi, 1967)
#726. The Kingdom (Lars von Trier and Morten Arnfred, 1994)
#727. Bananas (Woody Allen, 1971)
#728. Faithless (Liv Ullmann, 2000)
#729. The People vs. Larry Flynt (Milos Forman, 1996)
#730. The Hustler (Robert Rossen, 1961)
#731. Heavenly Creatures (Peter Jackson, 1994)
#732. The War Game (Peter Watkins, 1965)
#733. Sleuth (Joseph L. Mankiewicz, 1972)
#734. Leviathan (Lucien Castaing-Taylor and Véréna Paravel, 2012)
#735. White Material (Claire Denis, 2010)
#736. Malcolm X (Spike Lee, 1992)
#737. Still Walking (Hirokazu Kore-eda, 2009)
#738. The Young Girls of Rochefort (Jacques Demy, 1967)
#739. Revanche (Götz Spielmann, 2008)
#740. The Prestige (Christopher Nolan, 2006)
#741. Upstream Color (Shane Carruth, 2013)
#742. Che (Steven Soderbergh, 2008)
#743. Kramer vs. Kramer (Robert Benton, 1979)
#744. Good Bye Dragon Inn (Tsai Ming-liang, 2003)
#745. Vampyr (Carl Theodor Dreyer, 1932)
#746. The President’s Analyst (Theodore J. Flicker, 1967)
#747. Boys Don’t Cry (Kimberly Peirce, 1999)
#748. Halloween (John Carpenter, 1978)
#749. Personal History, Adventures, Experience, and Observation of David Copperfield, the Younger (George Cukor, 1935)
#750. I Fidanzati (Ermanno Olmi, 1963)
#751. Wag the Dog (Barry Levinson, 1997)
#752. To Live (Zhang Yimou, 1994)
#753. Lust for Life (Vincente Minnelli, 1956)
#754. Through the Olive Trees (Abbas Kiarostami, 1994)
#755. Hammett (Wim Wenders, 1982)
#756. Simon of the Desert (Luis Buñuel, 1965)
#757. Big Deal on Madonna Street (Mario Monicelli, 1958)
#758. Alien (Ridley Scott, 1979)
#759. There’s Something About Mary (Peter and Bobby Farrelly, 1998)
#760. Marina Abramovic: The Artist Is Present (Matthew Akers, 2012)
#761. The Unbearable Lightness of Being (Philip Kaufman, 1988)
#762. The Golem (Paul Wegener and Henrik Galeen, 1920)
#763. And the Ship Sails On (Federico Fellini, 1983)
#764. Pauline at the Beach (Eric Rohmer, 1983)
#765. Waco: The Rules of Engagement (William Gazecki, 1997)
#766. Hugo (Martin Scorsese, 2011)
#767. Babette’s Feast (Gabriel Axel, 1987)
#768. The General (John Boorman, 1998)
#769. Broken Blossoms (D.W. Griffith, 1919)
#770. Anatomy of Hell (Catherine Breillat, 2004)
#771. The House of Mirth (Terence Davies, 2000)
#772. Run Lola Run (Tom Tykwer, 1998)
#773. Volver (Pedro Almodóvar, 2006)
#774. The Untouchables (Brian De Palma, 1987)
#775. Close Encounters of the Third Kind (Steven Spielberg, 1977)
#776. 12 Years a Slave (Steve McQueen, 2013)
#777. Friendly Persuasion (William Wyler, 1956)
#778. The Lost Weekend (Billy Wilder, 1945)
#779. Foreign Correspondent (Alfred Hitchcock, 1940)
#780. A Brief History of Time (Errol Morris, 1991)
#781. Mysterious Skin (Gregg Araki, 2004)
#782. Bad Lieutenant (Abel Ferrara, 1992)
#783. The Miracle of Morgan’s Creek (Preston Sturges, 1944)
#784. The Red Violin (François Girard, 1998)
#785. The Sun (Aleksandr Sokurov, 2005)
#786. Tinker, Tailor, Soldier, Spy (John Irvin, 1979)
#787. Mister Roberts (John Ford and Mervyn LeRoy, 1955)
#788. Samurai II: Duel at Ichijoji Temple (Hiroshi Inagaki, 1955)
#789. A Walk in the Sun (Lewis Milestone, 1945)
#790. The Iceman Cometh (Sidney Lumet, 1960)
#791. Bite the Bullet (Richard Brooks, 1975)
#792. Oklahoma! (Fred Zinnemann, 1955)
#793. Europa (Lars von Trier, 1991)
#794. The Haunting (Robert Wise, 1963)
#795. Being There (Hal Ashby, 1979)
#796. Julia (Erick Zonca, 2009)
#797. The War Zone (Tim Roth, 1999)
#798. A Man and a Woman (Claude Lelouch, 1966)
#799. The Man Who Fell to Earth (Nicolas Roeg, 1976)
#800. Airplane! (Jim Abrahams and David and Jerry Zucker, 1980)
#801. George Washington (David Gordon Green, 2000)
#802. Pelle the Conqueror (Bille August, 1987)
#803. Before Night Falls (Julian Schnabel, 2000)
#804. Camera Buff (Krzysztof Kieslowski, 1979)
#805. Animal Kingdom (David Michôd, 2010)
#806. The Tree of Life (Terrence Malick, 2011)
#807. A Prophet (Jacques Audiard, 2009)
#808. Inception (Christopher Nolan, 2010)
#809. Japón (Carlos Reygadas, 2002)
#810. Abigail’s Party (Mike Leigh, 1977)
#811. Dodsworth (William Wyler, 1936)
#812. Inherit the Wind (Stanley Kramer, 1960)
#813. Killer of Sheep (Charles Burnett, 1977)
#814. Seven Years Bad Luck (Max Linder, 1921)
#815. For a Few Dollars More (Sergio Leone, 1965)
#816. Alice Doesn’t Live Here Anymore (Martin Scorsese, 1974)
#817. Darling (John Schlesinger, 1965)
#818. Twelve Monkeys (Terry Gilliam, 1995)
#819. Story of a Prostitute (Seijun Suzuki, 1965)
#820. Make Way for Tomorrow (Leo McCarey, 1937)
#821. Control (Anton Corbijn, 2007)
#822. Sex Is Comedy (Catherine Breillat, 2002)
#823. Patton (Franklin J. Schaffner, 1970)
#824. Lithuania and the Collapse of the U.S.S.R. (Jonas Mekas, 2009)
#825. Cape Fear (J. Lee Thompson, 1962)
#826. What’s Up, Doc? (Peter Bogdanovich, 1972)
#827. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
#828. Amélie (Jean-Pierre Jeunet, 2001)
#829. A Hard Day’s Night (Richard Lester, 1964)
#830. Crouching Tiger, Hidden Dragon (Ang Lee, 2000)
#831. Still Life (Jia Zhang-ke, 2006)
#832. Rope (Alfred Hitchcock, 1948)
#833. Fat Girl (Catherine Breillat, 2001)
#834. Gaslight (George Cukor, 1944)
#835. We All Loved Each Other So Much (Ettore Scola, 1974)
#836. Babe (Chris Noonan, 1995)
#837. The Century of the Self (Adam Curtis, 2002)
#838. Elmer Gantry (Richard Brooks, 1960)
#839. Brief Crossing (Catherine Breillat, 2001)
#840. The Grifters (Stephen Frears, 1990)
#841. Tess (Roman Polanski, 1979)
#842. All That Jazz (Bob Fosse, 1979)
#843. Broken Embraces (Pedro Almodóvar, 2009)
#844. Charade (Stanley Donen, 1963)
#845. Misery (Rob Reiner, 1990)
#846. Mutiny on the Bounty (Frank Lloyd, 1935)
#847. When Harry Met Sally… (Rob Reiner, 1989)
#848. Medea (Lars von Trier, 1987)
#849. The Kid Stays in the Picture (Nanette Burstein and Brett Morgen, 2002)
#850. Let the Right One In (Tomas Alfredson, 2008)
#851. Another Woman (Woody Allen, 1988)
#852. The Fortune Cookie (Billy Wilder, 1966)
#853. Phoenix (Christian Petzold, 2014)
#854. Sicario (Denis Villeneuve, 2015)
#855. The Singing Detective (Jon Amiel, 1986)
#856. Why We Fight: The Battle of Russia (Frank Capra and Anatole Litvak, 1943)
#857. Mystic River (Clint Eastwood, 2003)
#858. The Diary of Anne Frank (George Stevens, 1959)
#859. Dead of Night (Cavalcanti, Charles Crichton, Basil Dearden, and Robert Hamer, 1945)
#860. The Soft Skin (François Truffaut, 1964)
#861. Letters from Iwo Jima (Clint Eastwood, 2006)
#862. Gone Girl (David Fincher, 2014)
#863. Water Drops on Burning Rocks (François Ozon, 2000)
#864. The Cook, the Thief, His Wife & Her Lover (Peter Greenaway, 1989)
#865. Unfaithfully Yours (Preston Sturges, 1948)
#866. Sling Blade (Billy Bob Thornton, 1996)
#867. Pollock (Ed Harris, 2000)
#868. 45 Years (Andrew Haigh, 2015)
#869. Swept Away… by an Unusual Destiny in the Blue Sea of August (Lina Wertmüller, 1974)
#870. Confession (Aleksandr Sokurov, 1998)
#871. Saboteur (Alfred Hitchcock, 1942)
#872. House of Flying Daggers (Zhang Yimou, 2004)
#873. Blissfully Yours (Apichatpong Weerasethakul, 2004)
#874. A Dangerous Method (David Cronenberg, 2011)
#875. House of Cards (Paul Seed, 1990)
#876. Lost Horizon (Frank Capra, 1937)
#877. Romeo and Juliet (Franco Zeffirelli, 1968)
#878. 49 Up (Michael Apted, 2006)
#879. The Strange Little Cat (Ramon Zürcher, 2013)
#880. Dumbo (Ben Sharpsteen, 1941)
#881. Gomorrah (Matteo Garrone, 2008)
#882. Ida (Pawel Pawlikowski, 2013)
#883. The Forbidden Room (Guy Maddin, 2015)
#884. South Pacific (Joshua Logan, 1958)
#885. Our Town (Sam Wood, 1940)
#886. Fantasia (Samuel Armstrong, James Algar, Bill Roberts, Paul Satterfield, Ben Sharpsteen, David D. Hand, Hamilton Luske, Jim Handley, Ford Beebe, T. Hee, Norm Ferguson, and Wilfred Jackson, 1940)
#887. Under the Sand (François Ozon, 2000)
#888. Inland Empire (David Lynch, 2006)
#889. Indictment: The McMartin Trial (Mick Jackson, 1995)
#890. American Psycho (Mary Harron, 2000)
#891. Howards End (James Ivory, 1992)
#892. Bus 174 (José Padilha, 2002)
#893. Life Is Beautiful (Roberto Benigni, 1997)
#894. Wild Reeds (André Téchiné, 1994)
#895. Kings Row (Sam Wood, 1942)
#896. Dracula: Pages from a Virgin’s Diary (Guy Maddin, 2002)
#897. Love Streams (John Cassavetes, 1984)
#898. Roots (Marvin J. Chomsky, John Erman, David Greene, and Gilbert Moses, 1977)
#899. Carmen Jones (Otto Preminger, 1954)
#900. In America (Jim Sheridan, 2003)
#901. The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (Errol Morris, 2003)
#902. The Last Emperor (Bernardo Bertolucci, 1987)
#903. Clue (Jonathan Lynn, 1985)
#904. Sin Nombre (Cary Joli Fukunaga, 2009)
#905. Detective Story (William Wyler, 1951)
#906. Kiss Me Kate (George Sidney, 1953)
#907. Gettysburg (Ronald F. Maxwell, 1993)
#908. Open Your Eyes (Alejandro Amenábar, 1997)
#909. Here Comes Mr. Jordan (Alexander Hall, 1941)
#910. Kiss of the Spider Woman (Hector Babenco, 1985)
#911. Son Frère (Patrice Chéreau, 2003)
#912. Hearts and Minds (Peter Davis, 1974)
#913. Battle Royale (Kinji Fukasaku, 2000)
#914. A Christmas Tale (Arnaud Desplechin, 2008)
#915. Antonia’s Line (Marleen Gorris, 1995)
#916. The Killing Fields (Roland Joffé, 1984)
#917. Amarcord (Federico Fellini, 1974)
#918. All the Real Girls (David Gordon Green, 2003)
#919. Frenzy (Alfred Hitchcock, 1972)
#920. Butch Cassidy and the Sundance Kid (George Roy Hill, 1969)
#921. Say Anything… (Cameron Crowe, 1989)
#922. Man Bites Dog (Rémy Belvaux, 1992)
#923. Gosford Park (Robert Altman, 2001)
#924. Anne Frank Remembered (Jon Blair, 1995)
#925. My Left Foot (Jim Sheridan, 1989)
#926. Goodbye, Mr. Chips (Sam Wood, 1939)
#927. Kiss Me Deadly (Robert Aldrich, 1955)
#928. The Caine Mutiny (Edward Dmytryk, 1954)
#929. And Then There Were None (René Clair, 1945)
#930. Top Hat (Mark Sandrich, 1935)
#931. The Magic Flute (Ingmar Bergman, 1975)
#932. Candyman (Bernard Rose, 1992)
#933. 21 Grams (Alejandro González Iñárritu, 2003)
#934. Affliction (Paul Schrader, 1998)
#935. Dawn of the Dead (George A. Romero, 1979)
#936. The Myth of the American Sleepover (David Robert Mitchell, 2011)
#937. 12 Angry Men (William Friedkin, 1997)
#938. Spider (David Cronenberg, 2002)
#939. Zero Dark Thirty (Kathryn Bigelow, 2012)
#940. In the Company of Men (Neil LaBute, 1997)
#941. 28 Days Later… (Danny Boyle, 2003)
#942. Lolita (Adrian Lyne, 1997)
#943. Three Sisters (Wang Bing, 2012)
#944. Ballast (Lance Hammer, 2008)
#945. Easy Rider (Dennis Hopper, 1969)
#946. The Best Years of Our Lives (William Wyler, 1946)
#947. Love & Diane (Jennifer Dworkin, 2003)
#948. The Saddest Music in the World (Guy Maddin, 2003)
#949. The Fugitive (Andrew Davis, 1993)
#950. In the Bedroom (Todd Field, 2001)
#951. Henry: Portrait of a Serial Killer (John McNaughton, 1990)
#952. Saraband (Ingmar Bergman, 2003)
#953. Roman Holiday (William Wyler, 1953)
#954. The Private Life of Henry VIII (Alexander Korda, 1944)
#955. Murder, My Sweet (Edward Dmytryk, 1944)
#956. Take Shelter (Jeff Nichols, 2011)
#957. WALL•E (Andrew Stanton, 2008)
#958. Tangerine (Sean Baker, 2015)
#959. Hearts of Darkness: A Filmmaker’s Apocalypse (Fax Bahr and George Hickenlooper, 1991)
#960. Little Women (George Cukor, 1933)
#961. Pinocchio (Hamilton Luske and Ben Sharpsteen, 1940)
#962. Anna Karenina (Clarence Brown, 1935)
#963. Two Years at Sea (Ben Rivers, 2011)
#964. Abuse of Weakness (Catherine Breillat, 2013)
#965. Interstellar (Christopher Nolan, 2014)
#966. To Die For (Gus Van Sant, 1995)
#967. Leviathan (Andrei Zvyagintsev, 2014)
#968. Mystery Science Theater 3000: The Movie (Jim Mallon, 1995)
#969. Le Quattro Volte (Michelangelo Frammartino, 2010)
#970. Oldboy (Park Chan-wook, 2005)
#971. Cyrano de Bergerac (Jean-Paul Rappeneau, 1990)
#972. Odd Man Out (Carol Reed, 1947)
#973. Harvey (Henry Koster, 1950)
#974. The Band Wagon (Vincente Minnelli, 1953)
#975. Slumdog Millionaire (Danny Boyle, 2008)
#976. Life During Wartime (Todd Solondz, 2010)
#977. Guys and Dolls (Joseph L. Mankiewicz, 1955)
#978. The Sound of Music (Robert Wise, 1965)
#979. On Her Majesty’s Secret Service (Peter R. Hunt, 1969)
#980. The Lives of a Bengal Lancer (Henry Hathaway, 1935)
#981. Braveheart (Mel Gibson, 1995)
#982. The Interrupters (Steve James, 2011)
#983. The Thomas Crown Affair (Norman Jewison, 1968)
#984. 20,000 Leagues Under the Sea (Richard Fleischer, 1954)
#985. The Westerner (William Wyler, 1940)
#986. Pride and Prejudice (Robert Z. Leonard, 1940)
#987. Camille (George Cukor, 1936)
#988. Nymph()maniac: Volume I (Lars von Trier, 2014)
#989. Talk to Her (Pedro Almodóvar, 2002)
#990. Coherence (James Ward Byrkit, 2013)
#991. Night of the Living Dead (George A. Romero, 1968)
#992. It’s a Wonderful Life (Frank Capra, 1946)
#993. The Four Horsemen of the Apocalypse (Rex Ingram, 1921)
#994. From Russia with Love (Terence Young, 1963)
#995. Insomnia (Christopher Nolan, 2002)
#996. Angels with Dirty Faces (Michael Curtiz, 1938)
#997. The Ten Commandments (Cecil B. DeMille, 1956)
#998. It Felt Like a Kiss (Adam Curtis, 2009)
#999. Days of Wine and Roses (Blake Edwards, 1962)
#1000. Ride the High Country (Sam Peckinpah, 1962)

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